Ruud and Ineke (administrators of this website) attended a performance of the musical “Bokkenrijders”
(Goat riders) in Maastricht on Sunday, June 7, 2026.
The weather conditions were perfect: no rain or strong winds, and all 600 drones were able to fly.
It is not a cheerful story. It deals with terrible poverty in the 18th century, during which the nobility and
landowners extorted the ordinary farming population and famine reigned. The population rose up in revolt,
giving rise to the legend of a gang of robbers, named Bokkenrijders, which initially had a kind of Robin Hood
goal: stealing from the rich for the benefit of the poor. It is a story of Medieval tortures, hangings, burnings
and other atrocities.
The musical, with many special effects, kept us captivated for 2 hours.
One of the smaller roles is played alternately by Belle Noten (14) and Linde Rieu (16), giving these young
girls a great opportunity to gain experience in the musical world as newcomers. During our performance,
Belle played the role of Johanna. A few days earlier Pierre, as a proud father, posted pictures of his
daughter Linde in the same role. (Click HERE).
Below a few of our photos and one video (work in progress).
BOKKENRIJDERS BACKGROUND
De Limburger. By Ronald Colée
June 8, 2026
photos: Ermindo Armino, Marcel van Hoorn, Ineke/Ruud.
A drone-show with an airport, a hotel, and two highways nearby
is quite a challenge!
Will the drones fly or not? That is the big question occupying visitors to the Bokkenrijders musical
in Maastricht, now that the weather isn't really cooperating. Time to take a look at the drone pilots
from FlyingStars. "Above wind force 5 or in pouring rain, they stay on the ground."
He actually wanted a thousand of them, because that would have made for a nicer pitch: one goat, ten
horses, a hundred actors, and a thousand drones. However, it ended up being only six hundred. "With a
thousand 'flying pixels,' the formations and images become too large, and you need too large a flying area."
Six hundred drones—producer Servé Hermans of the Bokkenrijders musical in Maastricht doesn't mind. He
is thrilled that it was even possible to incorporate drones into his spectacle. After all, something like this has
never been seen before in the Netherlands. And the Maastricht native certainly enjoys pioneering.
"When we started working on Bokkenrijders, one of the first myths and legends we heard—that these
robbers supposedly flew through the air on goats—was sent by the devil himself. How do you portray that?
For an indoor performance, you might think of holograms, but outdoors that becomes more difficult. While
brainstorming at the Greek restaurant, production manager Roos Aerts and I were reminded of those
drone shows in China that pop up on all sorts of social media during New Year's. The very next day, we
started Googling." The duo ended up at FlyingStars in Gelsenkirchen, Germany, and immediately
discovered that a drone show is quite an undertaking. Especially when two highways and an airport are just
a stone's throw away. "There weren't really clear regulations yet. Are you even allowed to fly near a
highway? Doesn't that distract motorists too much? And how big does the area need to be that you cordon
off, in case one falls out of the sky? Finding answers to those kinds of questions took a lot of time. Because
for the best effect, you can only fly when it is dark AND the airport is closed. Because normally those things
fly at an altitude of 100 to 150 meters."
Music
He also had to take a maximum flight duration into account. "These drones run on batteries and can fly for
a maximum of fifteen to twenty minutes. That is why we build in a safety margin of about twelve or thirteen
minutes. Using the drones multiple times during the show is therefore not an option. Additionally, together
they sound like a large electric shaver, so you have to add music on top of that, because spoken text, for
example, gets lost in the sound." What Hermans also discovered after two performances is that the drones
attract so much attention from the audience that they pull out their phones en masse to take photos. "You
can't stop that, but it is too distracting. We therefore shortened the drone show slightly starting from the
third performance, so the focus shifted back to actress Suzan Seegers." An additional factor to consider in
Maastricht turned out to be the adjacent hotel, which meant the show could not take place exactly in the
middle above the stage. “And taking off from the parking lot near the away section of the stadium wasn't an
option either, because the drones' reception signal is too weak there. So that's where we've just stabled the
horses for now.” However, most of the coordination has to take place with air traffic control at Maastricht
Aachen Airport, the airport in Beek. “We eventually agreed on a time slot from 22:30 to 23:00 during which
we are allowed to fly. But during the dress rehearsal on Monday, there was a major airport strike in
Belgium, which meant another aircraft had to divert to Maastricht and we postponed the drone show. And
during the premiere, a cargo flight was scheduled for 22:55, which we managed to move forward by half an
hour after consultation with the airline.”
FlyingStars
Time to take a look at the FlyingStars' own drone team, which started preparing the landing platform two
hours before the performance. "We are laying down a hundred plastic plates here, each with six drones on
it," says Ronja Donsbach of the Gelsenkirchen-based company, founded four years ago, which is present
in Maastricht with eight people. "The first show we ever performed was depicting the number 60 with fifty
drones for a birthday. Now, the minimum number you can book is a hundred drones and the maximum is
six hundred. Because even more drones, especially in such a densely populated area, take up too much
space. You mainly only see shows with five or six thousand drones in Asia anymore." The designers from
the company for Servé Hermans and Toneelgroep Maastricht have come up with approximately twelve
figures. From a devil's head to a heart, and from flames to a highwayman. “What do they cost? About 1,000
euros each. What do they weigh? About 300 grams each,” says Donsbach’s colleague Erwin Wilms. “And
normally we fly at an altitude of 120 meters, but because of the airport, we stay below 90 meters here.”
Exactly one pilot is needed to fly all the drones. “Everything is pre-programmed,” says Donsbach. “We can
keep the drones hovering motionless in the air and form images by simply changing the lights, we can
make them fly and assume various formations, and we can choose a mix of both. In all colors and at
different intensities. From dimmed to bright.” The speed of the drones is 5 meters per second, and the
distance between the drones in the air is approximately 1.5 meters. “During takeoff, we turn on the lights
for a very brief moment, then we turn them off, and once they are all in position, we let the first image
suddenly appear out of nowhere, making the surprise effect even greater.” Spectators and passers-by need
not worry about a drone falling out of the sky, although the flight area is cordoned off for safety reasons. “If
a device runs low on power, it returns to the takeoff and landing platform on its own,” Donsbach and Wilms
assure. Charging the drone batteries afterwards takes a lot of time. “We can charge two hundred drones
simultaneously, and that takes about three hours. So do the math: six hundred drones take nine hours.”
The pair emphasizes once again that safety comes first and that is why one team member is in continuous
contact with Maastricht Aachen Airport. “To ensure a good connection, we set up a special 10-meter-high
transmission mast every evening for this purpose.”
Spoiler
The only spoilsport might be the weather, says Donsbach. "Flying isn't possible above wind force 5,
because it often blows even harder at an altitude of 90 meters then. And pouring rain can also spoil the
party. But a little rain isn't a problem." "In that case, people won't get to see an inferior performance, but a
different performance," says Servé Hermans, who expects the drone show to go ahead regardless for at
least eighteen of the twenty performances. "I think that if you honestly tell the visitors beforehand that you
are dependent on these kinds of factors for an open-air performance, they will understand. After all, if it's
pouring rain at André Rieu's, the fireworks after the Vrijthof concerts won't go ahead either." Meanwhile,
Hermans' creative mind is already working overtime again. "Indoor drones *do* exist. Would you be
allowed to use those for a theater performance as well?" Flying is not possible above wind force 5,
because the wind often blows even harder at an altitude of 90 meters. And pouring rain can also spoil the
fun. But a little rain isn't a problem.
Earlier Roos Aerts worked
and toured with André Rieu.
Two hours before the start of the show,
the drones are prepared in a tent behind the stadium.
Work in progress
De Nieuwe Ster
June 10, 2026
Peter Eberson
Translation: Ineke.
Following an article in De Nieuwe Ster about the bad reviews in national newspapers (NRC,
Volkskrant, Trouw) regarding the spectacular musical Bokkenrijders, Marjorie Rieu stands up for
the Bokkenrijders team.
Email from Marjorie Rieu to De Nieuwe Ster.
"To all the creators, makers, actors, and actresses of Bokkenrijders. You are
delivering a fantastic performance. Above all, don't let bad reviews in national
newspapers bother you," she writes in an email to De Nieuwe Ster.
"Bad reviews in national newspapers? Don't let them bother you. No one
received more criticism nationally than André Rieu. He was too Maastricht-ish,
too Limburgish, and only suitable for the local audience.
The rest is history."
Signed, Marjorie Rieu, André Rieu’s wife.
Marjorie should know. She has been involved in her husband André's career from the very beginning, which
started more than 35 years ago with performances in nursing homes, community centers, neighborhood
centers, and small theaters with his Salon Orchestra. In the 1980s and early 1990s, the now world-famous
violinist was not taken seriously by reviewers and cultural journalists from national and local media. They
turned up their noses at the fact that Rieu was making classical music accessible to a large audience in a
modern guise. They were all proven wrong when Rieu became world-famous in 1994 with his version of
The Second Waltz.
In the more than thirty years that followed, Rieu remained one of the best-selling artists. This month, he is
performing with his orchestra in Copenhagen and Oslo, among other places; after that, he returns to the
Vrijthof before touring further towards London, Liverpool, Budapest, Vienna, Paris, Prague, and Lyon.
Invariably to sold-out venues.
With 40 million CDs and DVDs sold, André Rieu has now achieved the status of
a global star. Not bad for an artist who received nothing but bad reviews
nationwide at the start of his career...